Nashville Pussy Gets Down and Dirty
Rock ‘n’ roll bad girl Ruyter Suys on sex in public
2003-02-12
Known for their (literally) incendiary live shows, the provocatively named
Nashville Pussy have built a name for themselves as raunchy, Southern-fried
chroniclers of the perverse. Touring for their third album, Say Something
Nasty, the band's upcoming show won't disappoint those who like hot babes
who kick ass on guitar and make out with each other.
I put your new CD on last night and next thing I knew everyone went nuts.
My god! Our CD comes with Insta-Drunk©, like a mini-keg. We actually tried
to package one album with a joint in it, and then we were down to putting a
paper in it, like the Doobie Brothers and Cheech & Chong did. There are
so many regulations now, you can't do shit! If we did that, our record label
would have been busted for distribution. There's nothing cool we can do, so
we were going to put a bunch of fake joints, and one real joint out of every
ten.
How did you guys like playing the last time in Chico?
I'm trying to remember… I think it was pretty cool. It was fun. You're
a bunch of crazy maniacs in that town! Some of us hooked up with some crazy
rednecks and went out shooting guns. It's like our home away from home!
How's the response been for the new album?
It's been excellent. There's a universal language going on in that record that
reminds everyone of AC/DC. We're all happy with it too, and as usual, your latest
album is always your best. It sounds way better than anyone thought, because
we cut it live with just a couple of overdubs, so we were all blown away.
Where was it recorded?
In an itty-bitty studio in Glasgow, in a county with no alcohol. It worked out
perfect, 'cause we had the bootlegger's phone number. You prepare for it; you
rock all day long and then it's two in the morning and you call the bootlegger
and he brings your reward. Every other time we recorded was in Seattle, and
I can't think of a more distracting town, except Vegas, maybe. There's nothing
you can't have in that town! This time it was so boring we'd go to Wal-Mart
twice a day…but it was fun, since it was perfect for focusing on our music.
We were out in a field, playing baseball and squishing pennies on railroad tracks.
You have to go out of your way to get drunk, and you can't even buy a Playboy
there. It was a good town for feeling rebellious.
Give me a good story from the road.
Oh, god! One time in Austin, we were playing a packed house. There was a girl
in the audience who was just dancing and lying on my monitor. After the show
someone came up to me and said, "Did you see that chick in the front row
getting fucked? That girl on your monitor had someone standing behind her who
hiked up her skirt and was like fuckin' her through the show." I was like,
"Whoa, I thought she was just having a good time!"
What's your favorite drink?
Pabst Blue Ribbon and kamikazes. The people who used to drink Heineken are no
longer in the band.
What was it like when your song "Fried Chicken and Coffee" was
nominated for a Grammy in the Best Metal Performance category?
It was really cool, but we definitely felt like the black sheep, which is pretty
impressive, since Aerosmith was there. We looked more like a rock band
than anybody there! Everyone was in tuxes and Gucci, and we were wearing leather.
I wore an awesome Wonder Woman-meets-Evil Knievel leather outfit.
Who would you say are your kindred spirits?
Definitely Motörhead. We fit with those guys like gloves. We went out on
the road with those guys, and we saw them be very standoffish with a lot of
people. We hadn't seen that side of them, and we didn't know they were capable
of that, because they were so fuckin' friendly all the time. We hung out on
their bus, constantly, and didn't even know that we weren't allowed to be on
there. By then we were practically living with them, though.
Do a lot of guys come onto you?
Yeah, I don't mind them trying, though. We've had guys saying that they'll take
us to the best milkshake in the world. That usually works really good. The way
to a woman's heart is through her stomach.
Where did you get your band's name?
We're named after something Ted Nugent says on the album Double Live Gonzo
right before the song "Wang Dang Sweet Poontang." If you had that
record when you were a kid, you would play it over and over and over again to
hear when he would say "pussy," so we're honoring the spirit of Uncle
Ted.
Have you gotten flak for the name?
Yeah, but it's all in America! [laughs] It's a big world out there, and
they don't give a shit. The trouble we have gotten was really lame, like when
a printing company didn't want to print the cover of our album. That got national
attention and was written up in Billboard. We were out of the country
at the time, and didn't even know that the record label couldn't get this printed
up. Go somewhere that they print porno! It wasn't even shit on the cover; we
had guys' heads between our legs. Why would you be offended by women getting
their pussies eaten? Isn't that the American Dream?
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Nashville Pussy
Bio[+]Formed in Athens Georgia in 1996, Nashville Pussy has been releasing some of the nastiest, sweatiest psychobilly rock ‘n’ roll that has ever offended Middle America. Their first album, Let Them Eat Pussy (originally released on Amphetamine / Reptile Records in 1998, then re-released on Mercury) yielded “Fried Chicken and Coffee,” a song that earned them a Grammy nomination for “Best Metal Performance” in 1999. Their original “Southern Discomfort” style has successfully tickled the musical Labias of critics and fans alike, and their sexual innuendo, wild stage antics and dirty lyrical themes provide concert attendees an often-memorable show. Their latest release, Say Something Nasty (Artemis Records) was released in 2002.
– Maurice S. Teilmann (July, 2002)
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– Maurice S. Teilmann (July, 2002)