The Flaming Lips

Yoshimi Battles The Pink Robots

Editor's Review:

Busy reinventing the pop song instead of devolving into some sort of Dave Grohl-esque lackeys, the Flaming Lips have really grown into their role as the last genuine American rock band. Before you disagree and hand that crown over to the Boss, or worse yet some fat suck like Kid Rock; keep in mind over the last 20 years these guys have been molded into an amalgam of the blue collar, wide-eyed inspirations of CCR and the naive acid drenched inner child visions that Van Dyke Parks and Brian Wilson showed the world on the Beach Boys' Smile. What makes these guys great is that they're content with making one great record after another and, as Americans, we're all the better for it. Yoshimi Battles The Pink Robots is a wonderful panacea for anyone who is tired of same old same old, year after year, be it the umpteenth Bon Jovi or Velvet Underground reunion.




- Sean-Michael Yoder



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Album Cover
Record Label Warner Bros.
Released August 2002

Tracks

  1. Fight Test
  2. One More Robot / Sympathy 3000-21
  3. Yoshimi Battles the Pink Robots Pt.1
  4. Yoshimi Battles the Pink Robots Pt.2
  5. In the Morning of the Magicians
  6. Ego Tripping at the Gates of Hell
  7. Are You A Hypnotist??
  8. It's Summertime
  9. Do You Realize??
  10. All We Have Is Now
  11. Approaching Pavonis Mons By Balloon (Utopia Planitia)
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Bio[+]
Originating from Oklahoma City in 1983, The Flaming Lips purportedly assembled when singer / guitarist Wayne Coyle stole music gear from a local church hall and formed the group with Michael Ivins (bass guitar) and brother Mark Coyle. Since then the group has cycled through drummers (eventually adding Steven Drozd to the mix in 1992) and guitarists (Jonathan Donahue of Mercury Rev joined in 1989, was replaced by Roland Jones in ’92, who departed after 1995’s Clouds Taste Metallic), but has always maintained a cutting edge approach to music. For instance, 1997’s Zaireeka was a four disc album that required each disc to be played simultaneously, while 1998’s The Soft Bulletin explored the limits of sonic orchestration within a pop format. Their highlight, however, was being featured on Beverly Hills 90210 as a party band following 1993’s unforeseen smash hit, “She Don’t Use Jelly” off of Transmissions From the Satellite Heart, prompting the famous Ian Ziering quote: "You know, I've never been a big fan of alternative music, but these guys rocked the house!".

– Maurice S. Teilmann (July, 2002)