Burning Brides

Fall of the Plastic Empire

Editor's Review:

I don't believe in guilty pleasures. If music can lodge itself assertively in your memory and have you shaking your booty in front of your roommates, it's good. With Burning Brides' latest release, the group has crafted an apocalyptic rocker capable of mauling intensities. Singer Dimitri Coats comes out swinging with a listless fervor; his powerful howl is accentuated by the propulsive, fuzzed-out British Invasion melodies provided as backup. Switching from sincere harmonizing to heavy riffage in the blink of an eye, the band has provided something structured with an absurd amount of dexterity and versatile skill. Letting this pass under your radar or, worse, dismissing it as kitschy hipster listening, would be a monumental mistake.
- Raphael di Donato
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Album Cover
Record Label V2
Released December 2002

Tracks

  1. Plank of Fire
  2. Glass Slipper
  3. If I'm A Man
  4. Arctic Snow
  5. At the Levity Ball
  6. Stabbed in the Back of the Heart
  7. Rainy Days
  8. Elevator
  9. Blood on the Highway
  10. Plastic Empire
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Bio[+]
The seeds of Burning Brides were germinated in New York City where Boston-born guitarist/singer Dimitri Coats was pursuing a career in theatre and Texas-born bassist Melanie Campbell was studying modern dance. After the two hooked up and dropped out of The Juilliard School, they eventually resettled in Philadelphia, forming the group and signing with local indie label File 13, eventually adding drummer Jason Kourkounis to the lineup. The group built up a reputation as an excellent, brutal live band, throwing down concussive riffs with passionate delivery. They released Fall of The Plastic Empire in 2001 on File 13, but soon signed with V2 Records, re-releasing their newly Howie Weinberg- remastered album in September of 2002.

– Maurice S. Teilmann (October, 2002)