Mudvayne

The End of All Things to Come

Editor's Review:

As the title may suggest, Mudvayne's latest release paints a grim picture. The songs are rumbling, bottom-heavy dirges that shamble along at paces ranging from a slow creep to a menacing charge. If this album succeeds at anything it's in creating a palpable mood - a strong feeling of dread permeates throughout these 13 tracks, especially in their heavier, more claustrophobic passages, sounding as if the walls around you may very well collapse. The vocal performances are incomprehensible at times, and intrusive production seems to dampen the music's sheer brutality, but fans of the band will definitely get their money's worth. In addition to a solid CD, the package includes a bonus DVD with two previously unreleased tracks and 30 minutes of behind-the-scenes footage. The CD itself also acts as a "key" to unlock hidden content on Mudvayne's Web site.
- James Barone
Write Your Own Review
Bookmark: Post to BlinkBits Post to BlogMarks Post to Del.icio.us Post to Digg Post to Fark Post to Furl Post to Google Post to Ma.gnolia Post to MyWeb Post to Netscape Post to NetVouz Post to Newsvine Post to RawSugar Post to Reddit Post to Scuttle Post to Shadows Post to Simpy Post to Slashdot Post to Spurl Post to Technorati Post to Wists
Album Cover
Record Label Epic
Released January 2003

Tracks

  1. Silenced
  2. Trapped in the Wake of a Dream
  3. Not Falling
  4. (Per)version of Truth
  5. Mercy, Severity
  6. World So Cold
  7. The Patient Mental
  8. Skrying
  9. Solve Et Coagula
  10. Shadow of a Man
  11. 12:97:24:99
  12. The End of All Things to Come
  13. A Key to Nothing
Comments down for maintenance.

Site Search

Related

Bio[+]
Forged in Peoria, Illinois circa 1996, the nü-metal quartet Mudvayne became a staple of the paint-your face, jump-up-and-down, gargle-growl-sing lot when their Epic debut, L.D. 50 was sprung upon the masses in August of 2000. The members — Kud (C. Gray; vocals), Gurrg (G. Tribbett; guitar), sPaG (M. McDonough; drums) and Ryknow (Ryan Martinie; bass) — all take pride in their purported lack of formal musical training and abilities to stand out in the diet metal crowd. Their colorful comic book arch-villan approach to presentation has made their live performance and videos quite unique, and by design, most information pertaining to the members remains a mystery. The psychotheraputic influence of Stanley Kubrick’s movies weighs heavy on their dark, shattering sound. Their follow-up, The End of All Things To Come was released in 2002.

– Maurice S. Teilmann (November 2002)