Moby
Animal Rights
Editor's Review:
As the ethereal and futuristic sounds of the opening track "Dead Sun"
hit your ears, you must read the powerful and articulate liner notes explaining
Moby's philosophy about Republicans, being a Vegan, and his disgust with
the Christian Coalition. It reveals Moby as an artist who thinks as well
as feels his way through the world with his music, a listening experience
which sustains with powerful range and depth.
From the punk ragings of "Someone to Love" to the unstoppable anger of
"Heavy Flow," Moby reaches out with the diverse sounds of his screaming
guitars - not just to express his outrage - but to show the joy in releasing
the inner hostility of modernist angst.
The guitar as centerpiece on this CD comes in many shapes and sizes,
either biting with rasping, bitter distortion or tumbling into your ear
with bell-like chimes of plucked clarity. Laser-like vocals beam in and
out as guitars work with the pumping, grinding rhythms of "Animal Rights,"
where tracks such as "Living" are for the thinking man's rave. While softer
tracks such as "Now I Let it Go" and "Soft" will lull you with delicate
touches, the hip-hop shifts and punches of "Anima" provide a nice contrast.
The hip-hop aspects of his later release, Play, are here, though
not as fully proportioned. "Animal Rights" works to create a powerful
and exotic sonic landscape - an unconscious land where Moby wanders about
inside of surreal sounds, a musical Dalí painting where notes melt
with every touch.
Heat Factor: Three half pipe grinds and two nose slides.
- Kilgore Trout
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![]() Record Label Elektra Records Released April 1999 |
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Moby
Bio[+]Being born the great great grandnephew of Moby Dick author Herman Melville, it isn’t a far stretch to see where Richard Melville Hall got his nickname. Moby began playing classical guitar at an early age, and as a teenager found himself immersed in the New York punk / noise / new wave scene. After dropping out of college, Moby began DJing in nightclubs, and his 1991 single “Go” was an unprecedented hit in the UK. After signing with Elektra in 1994, he released Everything is Wrong in '95, earning him the first taste of critical praise. Not one to be easily categorized, his next full-length release Animal Rights was an electric guitar-fueled endeavor, and the ’97 follow up I Like To Score focused on re-devising film music. In 1999, Moby released the chart-topping Play, launching him into superstar status.
–Maurice S. Teilmann (August, 2002)
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–Maurice S. Teilmann (August, 2002)
